Recording life, magnetizing faders, ornamenting time and space. Cultivating a state of mind to carefully transmit the energy of interconnectedness and spiritual comfort. Sending out soundwaves to wish for you the melting away of burden. Soothing vocals to soundtrack cloud motion.

"All This Is That" Written by Carl Wilson, Alan Jardine, and Michael Love Copyright Wixen Music Publishing o/b/o Wilojarston Music Originally Performed by The Beach Boys

This version produced and mixed by Will C.

Licensed officially via Easy Song Licensing,

"The DMX will rock, control the beat, get up..."

Transcend with me!

released July 5, 2024

Written by David Reeves Jr.

Copyright Kobalt Music Pub America

Inc. o/b/o Street Tuff Tunes

Originally performed by Davy DMX

This version produced and mixed by Will C.

Licensed officially through Easy Song Licensing, with full permission granted in writing. Documentation available upon request.

I'm finding a job tomorrow morning...

"(Just Like) Romeo and Juliet" Written by Freddie Gorman and Bob Hamilton Copyright Jobete Music Co Inc. and Stone Agate Music Corp. Originally Performed by The Reflections

This version produced and mixed by Will C.

Licensed officially through Easy Song Licensing, with full permission granted in writing. Documentation available upon request.

released May 17, 2024

on these hot summer days and ol’ summer nights some are dazed (and some are knights!!)

credits:

Produced, Mixed, and Mastered by Will C.

“First Love” Special Guests:

Makeda Rose: Backing Vocals Doc Brown: Guitar Will Allen, Jr.: Brass Section (Trumpets, Trombones)

All other vocals and instrumentation by W. Curley

Tracks 6, 8, 14, 15 written and composed by W. Curley for We Could Win (ASCAP)

The remaining compositions were created by a collective of incredibly talented musicians. Click on each track info section to learn about the composer(s) and publishing information. All cover songs licensed officially through Easy Song Licensing, with full permission granted in writing. Documentation available upon request.

I USED TO LEVITATE!

Have you ever looked out the window and seen a squirrel burying acorns in the ground, frantically clawing at the dirt, saving for tomorrow? That’s kind of the story behind these recordings. Back when I was traveling at lightspeed, chopping records, looping tape, programming drum patterns, slicing records with worn out needles, triggering explosive sounds. Some of the sonic collage made it out to be heard worldwide. A lot got buried deep for the long winter. Problem is, just like the squirrel, I forgot where I put the dynamite. Time marched on, and on, and on.

One minute, the past is data disintegrating on floppy disks. The next, electrostatic shock reanimates young Will C. and makes the unheard burn bright. The CUTTING ROOM FLOOR IS LAVA!

Mostly recorded between 2007 and 2010.

released February 23, 2024

All Tracks Produced, Mixed, and Mastered by Will C. except:

"I Used To Levitate" produced by Nostalgic "Aboard A Tidal Wave" produced by Nostalgic "Retrograde Rap Attack" produced by Raydar Ellis

Special Guests:

"Interstellar Alignment" featuring Blacastan "WTBU Scratch Reaction" featuring DJ Red Alert and Blacastan

When you begin this album you are on the ground. You're in the Willderness, on the surface of the Earth. Walking on leaves, strolling the summer sand, wading in water. But at some point, and perhaps sooner than you feel prepared for, you begin to float; rising up to the atmosphere and Beyond Supermoon.

Now, as the person who made this music, I don't know if this is supposed to feel euphoric or terrifying for you - this journey further than we've ever voyaged, from the nature we love and gleam nourishment from, to the unexplored vastness of the cosmos. But I promise you, if you still allow yourself the sacred music listening space of playing an album with headphones in the dark, you will go many places.

All things must come to an end, and I promise I'll get you back safe. After all, it's either we Stick The Landing Or Wave Goodbye.

All songs written, produced, mixed, and mastered by W. Curley for We Could Win (ASCAP)