Recording life, magnetizing faders, ornamenting time and space. Cultivating a state of mind to carefully transmit the energy of interconnectedness and spiritual comfort. Sending out soundwaves to wish for you the melting away of burden. Soothing vocals to soundtrack cloud motion.

"All This Is That" Written by Carl Wilson, Alan Jardine, and Michael Love Copyright Wixen Music Publishing o/b/o Wilojarston Music Originally Performed by The Beach Boys

This version produced and mixed by Will C.

Licensed officially via Easy Song Licensing,

"The DMX will rock, control the beat, get up..."

Transcend with me!

released July 5, 2024

Written by David Reeves Jr.

Copyright Kobalt Music Pub America

Inc. o/b/o Street Tuff Tunes

Originally performed by Davy DMX

This version produced and mixed by Will C.

Licensed officially through Easy Song Licensing, with full permission granted in writing. Documentation available upon request.

I'm finding a job tomorrow morning...

"(Just Like) Romeo and Juliet" Written by Freddie Gorman and Bob Hamilton Copyright Jobete Music Co Inc. and Stone Agate Music Corp. Originally Performed by The Reflections

This version produced and mixed by Will C.

Licensed officially through Easy Song Licensing, with full permission granted in writing. Documentation available upon request.

released May 17, 2024

on these hot summer days and ol’ summer nights some are dazed (and some are knights!!)

credits:

Produced, Mixed, and Mastered by Will C.

“First Love” Special Guests:

Makeda Rose: Backing Vocals Doc Brown: Guitar Will Allen, Jr.: Brass Section (Trumpets, Trombones)

All other vocals and instrumentation by W. Curley

Tracks 6, 8, 14, 15 written and composed by W. Curley for We Could Win (ASCAP)

The remaining compositions were created by a collective of incredibly talented musicians. Click on each track info section to learn about the composer(s) and publishing information. All cover songs licensed officially through Easy Song Licensing, with full permission granted in writing. Documentation available upon request.

I USED TO LEVITATE!

Have you ever looked out the window and seen a squirrel burying acorns in the ground, frantically clawing at the dirt, saving for tomorrow? That’s kind of the story behind these recordings. Back when I was traveling at lightspeed, chopping records, looping tape, programming drum patterns, slicing records with worn out needles, triggering explosive sounds. Some of the sonic collage made it out to be heard worldwide. A lot got buried deep for the long winter. Problem is, just like the squirrel, I forgot where I put the dynamite. Time marched on, and on, and on.

One minute, the past is data disintegrating on floppy disks. The next, electrostatic shock reanimates young Will C. and makes the unheard burn bright. The CUTTING ROOM FLOOR IS LAVA!

Mostly recorded between 2007 and 2010.

released February 23, 2024

All Tracks Produced, Mixed, and Mastered by Will C. except:

"I Used To Levitate" produced by Nostalgic "Aboard A Tidal Wave" produced by Nostalgic "Retrograde Rap Attack" produced by Raydar Ellis

Special Guests:

"Interstellar Alignment" featuring Blacastan "WTBU Scratch Reaction" featuring DJ Red Alert and Blacastan

When you begin this album you are on the ground. You're in the Willderness, on the surface of the Earth. Walking on leaves, strolling the summer sand, wading in water. But at some point, and perhaps sooner than you feel prepared for, you begin to float; rising up to the atmosphere and Beyond Supermoon.

Now, as the person who made this music, I don't know if this is supposed to feel euphoric or terrifying for you - this journey further than we've ever voyaged, from the nature we love and gleam nourishment from, to the unexplored vastness of the cosmos. But I promise you, if you still allow yourself the sacred music listening space of playing an album with headphones in the dark, you will go many places.

All things must come to an end, and I promise I'll get you back safe. After all, it's either we Stick The Landing Or Wave Goodbye.

All songs written, produced, mixed, and mastered by W. Curley for We Could Win (ASCAP)

Vague memories swirl... being a kid in the 90s. Metallic hi hats and fuzzy drums set the pace as my ears were exposed to wondrous sounds. Unforgettable melodies programmed across a vast ocean, imprinted in neural networks forged in the heart of the 16 bit era. The majority of my music career has served as a love letter to downsampled timbres, so it's only right that I finally pay homage down to the kilobyte, looping less than a megabyte. On this collection you'll find my renditions of some lesser known Nintendo compositions alongside a selection of all time classics, with some of my own cartridge-infused offerings sprinkled in for good measure. Get equipped with 16 Bit Ones!

To access the desired sonic qualities, this album was mostly recorded with a Synergy I synthesizer, a rare instrument manufactured between 1982 and 1985 that runs off cartridges, just like the Super Nintendo!

This album is mixed in sparkling SPATIAL AUDIO, optimized for immersive headphone listening. We're taking it way back to the days of old school consoles, but let it be known that this is the opposite of “lo-fi” - I want an elaborate polyphonic universe to animate between your ears; to deliver positive contact to your auditory nerve. You are now the face on the cover of this album, surrounded by uplifting sounds. HAVE A GOOD TIME!

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A special note to my longtime listeners: This is a brand new re-imagining of one of my rarest collections! New track list, all new mix, painstaking re-engineering and re-mastering. When I decided to finally get 16 Bit Ones up on streaming services, it led to a chain reaction, from making sure I've properly licensed foreign compositions to realizing I wanted to deeply focus on improving the sound quality of the original album mix. I've made the decision to no longer offer the original version for sale here on Bandcamp, but it is by no means my intention to lock people out of accessing it - if those who purchased the original version can no longer find it here on Bandcamp, please let me know and I will absolutely make sure I can get it into your hands. Thanks as always for your support and understanding. I appreciate you!

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Tracks 10, 13, 14, and 17 written and composed by W. Curley for We Could Win (ASCAP)

The remaining compositions were created by a collective of incredibly talented musicians. Click on each track info section to learn about the composer(s) and publishing information. All cover songs licensed officially through Easy Song Licensing, with full permission granted in writing. Documentation available upon request.