Vague memories swirl... being a kid in the 90s. Metallic hi hats and fuzzy drums set the pace as my ears were exposed to wondrous sounds. Unforgettable melodies programmed across a vast ocean, imprinted in neural networks forged in the heart of the 16 bit era. The majority of my music career has served as a love letter to downsampled timbres, so

Vague memories swirl... being a kid in the 90s. Metallic hi hats and fuzzy drums set the pace as my ears were exposed to wondrous sounds. Unforgettable melodies programmed across a vast ocean, imprinted in neural networks forged in the heart of the 16 bit era. The majority of my music career has served as a love letter to downsampled timbres, so it's only right that I finally pay homage down to the kilobyte, looping less than a megabyte. On this collection you'll find my renditions of some lesser known Nintendo compositions alongside a selection of all time classics, with some of my own cartridge-infused offerings sprinkled in for good measure. Get equipped with 16 Bit Ones!

Run Time: 32:32

Mostly recorded with a Synergy I synthesizer, a rare instrument manufactured between 1982 and 1985 that runs off cartridges, just like the Super Nintendo!

07, 09, 12, and 13 composed by W. Curley for We Could Win (ASCAP) © 2020 01 composed by Brian Wilson (from “Mount Vernon and Fairway”) 02, 03, and 06 composed by Keiichi Suzuki and Hirokazu Tanaka (from “EarthBound”) 04 composed by David Wise (from “Donkey Kong Country”) 05 composed by Brad Fuller and Hal Canon (from “Marble Madness”) 08 composed by Rikei Hirashima (from “Rocky Rodent”) 10 composed by Junko Tamiya (Gonzou) (from “Little Nemo: The Dream Master”) 11 composed by Yasuhiko Fukuda, Akira Yamaoka, and Hirohiko Fukuda (from “Smart Ball”) 14 composed by Yumiko Kameya and Naoto Ishida (from “F-Zero”) 15 composed by Takashi Tateishi (Ogeretsu Kun), Manami Matsumae (Manami Ietel), and Yoshihiro Sakaguchi (Yuukichan's Papa) (from “Mega Man 2”) 16 composed by Kurt Farquhar

artwork layout and design by eldowho